InterChange on My Kinsman Major Molineaux

Daniel Anderson:
One way to begin thinking about Major Molineaux is to consider the narrator's point of view in the story. Perhaps the narrator's voice increases toward the end of the story. His description of MM, for example, or his condemnation of the mob: "On they went, in counterfeited pomp...trampling all on an old man's heart." What about the guy telling the story? If the narrator is against the mob, why does the story end with Robin's laugh and his possibly joing the mob. What abouut his language? Where is it the most descriptive? Does he come down on either side of the dispute? Why?


Feel free to mention any of the other things abouut the story thaat come to mind The community. Types of people. The face. The old men? Also make connections to other things we've read or to other ideas. Now what do you think about the story?


Domingo A. Rochin:
Joy, do you feel lost like I do
Domingo

Consuelo Richardson:
I think that this story represents how every youth must leave home at one point, and their struggle to overcome the lonliness, unfriendliness, and financial struggle one must go through.

Joy Nichole Goodie:
I think that Davis did an absolutely wonderful job in her description of the setting and people.

Daniel Anderson:
The messages will scroll by on the screen What do you thuink about the story. Connie. Do you think that the youth figure represents anything? What?

Domingo A. Rochin:
Young people don't have to leave home if they have parents who understand them

Joy Nichole Goodie:
Please disregard my comment.

Daniel Anderson:
Joy, no sweat.

Domingo A. Rochin:
who wants to talk about iron works?

Bert Alan Mikosh:
I do


Consuelo Richardson:
Maybe he represents the lost souls in us all, I relate to how he was filling since I was raised in the military and moved alot. Sometimes the people were nice sometimes not.

Daniel Anderson:
When does the story take place? What does it have in common with Rip van Winkle?

Joy Nichole Goodie:
Did anyone happen to pick up my packet on accident last Thursday? I'd hate to buy a new one.

Domingo A. Rochin:
Why are we doing this

Melinda Baggett:
This story shows how Robin gave such unworthy praise to the major who was condemmed by his community, and his youthful blindness to the true major.

Brandi Mahon:
the story takes place in the early colony times

Samantha Smith:
Yes, I agree that this is largely about youths having to leave home at some point, but it was so horrible that the uncle had been tar-and-feathered on the very day that Robin had come to make a new home with him. Obviously that is where we may find the meaning of this story--why is this man discraced in such a way??

Gilnerto Segura:
They both have old guys in them.


Domingo A. Rochin:
is there a purpose to all of this?

Daniel Anderson:
Connie: I like your point about being lost etc. It seems as if MM is a lot about the individual and tha community. Robin is the individual and the community he comes looking for is no longetr there when he gets there. what does the new community look like?

Brandi Mahon:
danielll whoa slow down with the typing!!!

Domingo A. Rochin:
....A method to this madness

Joe Pedroza:
Joe Pedroza:
Hawthorne exemplifies his technique of messing with your mind and joining the real and imaginary world together.

Ducky:
Domingo, I read the story about the iron works. I thought the guy, Kirby, was a real jerk.

Melinda Baggett:
This man was disgraced because he possibly was a appointed governor by Great Britain kings?

Domingo A. Rochin:
I have nothing top say, so next message will be bkank

Gilnerto Segura:
Hawthorne doesn't mess with your mind it is the concepts in the writing.


Daniel Anderson:
If enough of you want to talk about Iron works, I've made aa conference. Just do Interchange Join a conference and choose ironworks.

Domingo A. Rochin:
blank

Daniel Anderson:
gilberto. what do you mean that hawthorne doesn't mess with your mind? What kind of concept do you mean?

Melinda Baggett:
What was the deal with the red and black faced man that told him Major Molineux was coming?

Joe Pedroza:
Joe Pedroza
He writes the story in comparison to maybe his life experiences, as mentioned in his autobiography, how he was isolated in one room for twelve years.

Greg Hyzak:
Robin seems to be a lost country boy who feels the need to leave home and travel to the city, but he keeps fanatsizing about the country.

Gilnerto Segura:
Well if you stay in a room for 12 years you beging to see men with red and black faces in your witting...the images of madness can be made creativity.

Daniel Anderson:
melinda good question. What does the red and black represent. he was one of the mob who were trying to riot against the colonial govt. what about the mixture in the descriptiuon though. does this reflect any other ambiguity?

Samantha Smith:
Melinda, I was thinking something like that--it is probably of historical significance. I got the feeling that Major Molineaux was a supporter of the crown, just as Rip had professed when he emerged from his nap to be a subject of the crown. But it is horrible how people took these things to such extremes!

Greg Hyzak:
I agree with Joe that the story is a lot like Hawthornes own life.

Melinda Baggett:
It seems that Robin left home to find a rich hertiage that was supposedly owed to him by the major.

Tim Decker:
I believe that there are many references to the devil through the face and activities of the young lady. This seems to be a very common theme for Hawthorne. Hawthorne presents a young lad from the country, which implies a certain amount of immaturity to the ways of the world, that goes to the city and "grows" and is presented with the "evil ways" of the city. My favorite quote the presents the image of evil is "the forehead with its double prominence, the broad hooked nose, the shaggy eyebrows, and fiery eyes".

Joe Pedroza:
It just shows how people have changed in the New World. the boy was expecting for the New World to bend over for him because he was a kinsman.
Thats to bad!

Daniel Anderson:
Samantha, good comparison. both Rip and MM and Robin are representatives of the old world, and traditon etc. What about the differences. Rip likes to hang out with the new generation, and Robin seems ready to join the revolutionary mob. Are they both revolutionaries?

Brandi Mahon:
reference to devil is true to hawthrones work..... ie scarlet letter with hester prine

Brandi Kim Jones:
Brandi Jones:
I think that the red and black faced man was some sort of symbol for the devil or his presence by the connotations I received in reading Hawthorne's description of the man.

Daniel Anderson:
Joe, Do you think that the boy's naivete and sense that he will be provided for are not part of the new American id. The ending would seem to sa so.

Gilnerto Segura:
the new world is a bad place for those who expect luxury. This devil stuff is the same puritanical stuff hawthorne loved..iagree too

Samantha Smith:
The red and black were said to represent warfare and the blood shed as a result. So this must have something to do with the war. Maybe Major M. was so decorated because he killed the most people or something--he could have fought for aomething that was in opposition of everything that his community stood for...

Consuelo Richardson:
The new community looks big and scary. He has no map to find his way so he needs to interact with the community: The pretty house keeper, the two toned guy, the pseudo-kinsman at the end. His expectations of what the Major is to the community and the reality are very far apart. Robin was looking for a mansion with a distiguished gentleman not a tarred featherman. The reality was a shock to him and he almost left. He stayed with the other man who said " if your as smart as you say then stay and make it with out the major" leaving him a new beginning.

Daniel Anderson:
Tim. Interesting. The alignment with the devil is something Ihadn't thought of but it raises interesting possibilities. If the revolutionaries are sided with the devil. What does this say about aAmerica and the idea of change VS tradition.

Joe Pedroza:
I think that the New world would of helped him out and be more hospitable but the way he presented himself just rubbed the people the wrong way and therefore they gave him a pretty good lesson.

Brandi Mahon:
he was a country boy..... and the people of the town were not used to "crude" ways????

Daniel Anderson:
the new community seems to be much less high-brow, if that's the right word. Shopkeepers, old men, watchmen, whores. The mob itself. Is this the face of the new America. if so why is it both red and black.

David A. Barfoot:
Why do you think the gentleman was seemingly very kind to Robin? What could he represent?

Gilnerto Segura:
The new world is satanic? perhaps if the old traditions of the old world are roud and true.

Greg Hyzak:
Robin should have been a little wiser by taking note of how people reacted whenever he asked for someone to direct him to the Major's house instead of thinking everyones reactions were in respect to the Major being so prominent.

Consuelo Richardson:
Joe, I agree but only because he had not had to behave in a "civilized" manner before on the farm. His manners would have been wasted on pigs don't ya think. However I bet he was glad to be a somewhat fast learner.

Daniel Anderson:
samantha. good point about war. remember that this story, like RVW was written after the war but about an event that took place after the war. Perhaps it can be used as a way of viewing the revolution then. The mixed feelings of the face may be saying something about the narrator's views of the American revolution. Why would a new American, trying to write a new kind of literature come down against the revolution though?

Brandi Kim Jones:
I think that the tradition element is there in that he traveled to unfamilaiar surrounding in order to regain ties with the Major; however, the boy's laughing at the end and his accompaining actions seems to be not only change but betrayl.

Gilnerto Segura:
GReg. innocnce and naivite. the lamb goes to slaughter licking the butcher's face

Melinda Baggett:
It seems that Robin was blind to the New Wold's feeling about Great Britain's rule over the colonies. He thought that he would be praised by knowing MM and that MM was adored by all, when in fact the New World found great distaste with Great Britain's rule over the colonies. Possibly Robin's nativity represents The society of Great Britain's view of the New World.

Tim Decker:
In a supporter of the crown's P.O.V. the struggle for change of inviduality of a new nation would be considered "evil". Thus, the image of struggle for evil to overcome good, which is another popular theme in Hawthorne's works. This can also be looked at from the other side, the American's P.O.V. which could be considered to be more liberal, in that the crown's dictatorship of the colonies was evil and the assertion of their new found independence was seen to be good. This theme of growing from immaturity and to maturity, that of Robin moving from the Country to the City, could also be seen as the move from one form of government to another.

Brandi Mahon:
good point tim.....

Daniel Anderson:
It seems as if a lot of the way that Robin is protrayed is ironic. The old gentlemen trying to help him and al the others are really just having a laugh at his expense. They come off as kind of cruel and are not p[ainted that favorably. What i want to know, then, is after looking for his Kinsman so long and finally seeing him disgraced so much, why did Robin join in the demonic laugh at the end?

Morris Pittle:
I think the satanic correlations are just one of many social commentaries frequently overused by the writers of the time, not only Hawthorne, but his peers as well. The snobby crew consisting of Hawthorne, Mellville, Thoreau, and the biggest social snob of them all, Emerson. Had these men left their retreats for a change, they might have found a different, more optimistic view of their community.

David A. Barfoot:
I agree, Robin's repeated suprise at being rejected parallels the crown's suprise towards the uprising in the colonies.

Samantha Smith:
Myabe the author is not coming down on the revolution or the new american ideals, but against the representation of the old society.

Gilnerto Segura:
hey go easy on emmerson

Joe Pedroza:
It signifies a change in his world. If he did not join the others he might of died or been isolated in this world. At the end that is why he was asked not to leave that night but to wait a couple of days and then make his choice.

Daniel Anderson:
Morris. Intersting point. It does seem as if the whore figure, etc are concvenient symols of evil. which, ironically the old world, traditional representative, Robin, is able to fight off. What would have happened to the story if he went into the building with the scarlett woman? Would he have bee able to be the representative of traditiona dn potential change?

Consuelo Richardson:
Maybe Robin's role is psycotic in that he can be argued from either side of the revolution

Tim Decker:
Question: It seems as though, the direction of the conversation is strictly towards a government or political alignment. Reading Hawthorne's Bio., though would make me wonder if he was interested at all in political alignment, philosophical alignment maybe and definitely religous alignment due to upbringing. So, why does this have such a political lean?

Consuelo Richardson:
Tim you made it that way

Brandi Mahon:
i think because there was not so much of a separation of church and state at the time

Morris Pittle:
I have no quarrel with the quality of their work, it's just that they never seemed to take a look at themselves as a part of society, rather, they were always looking down, never contributing.

Gilnerto Segura:
tim. because it envolves new political orders commng about.

Melinda Baggett:
Robin's laughter at the end represents his realization that MM was not as respected and pleasant as he was depicted as in Robin's home town.

Tim Decker:
Gilnerto, is that us adding a political twist after the fact or was it what the author intended?(I guess that should have been my original question.)

Morris Pittle:
It's well known that many of the writers of this time were on drugs. How many of these stories were hooka inspired.

Daniel Anderson:
Tim. good question. One thing we need to be careful of is injecting too much biography. There is a certain distance between hawthorne and the narrator that should be kept up. Later, Hawthorne lost his job twice when the govt changed, so the sense of revolution as dangerous could easily be brought in, but this story takes place earlier. the symbols themselves within the story set up certain oppostions. the crown vs the mob. the past vs the future, the country vs the city, etc.

Samantha Smith:
Sometimes, regardless of how you are brought up or your point of view, you are compelled to "go with the flow." This is something I remember happening largely in Junior High School--when I was young. Robin gave in to the mob, but then tries to assert himself and make his own decision by saying he will return home. At that point, he can either stay or leave--it's his first(?) chance to make a "grown-up" decision.

Consuelo Richardson:
way to go sam

David A. Barfoot:
His laughter seemed directed at himself after he overcomes the shock of seeing MM for not realizing his situation much sooner.

Gilnerto Segura:
tim. the twist is both post and proto-story. the author as has been mentioned had a varied intrest in political witing. we on the otherhand see this and decide it has enough depth to go into..or so we hope.

Melinda Baggett:
Could Robin's going with the flow represent his first strict Puritan ideals of not being tempted as by the young lady, but then giving into Satan?

Daniel Anderson:
Morris, the figure that move through the street come as if from some "fevered brain" hawthornes, perhaps. maybe. the writer even without drugs can sometimes be characterized as woking in a reverie or euphoric state. Let's suppose a parallel between the mob that pours through the streets adn the writing process for the author. What other element s of the story then, say soething about the writer?

Gilnerto Segura:
DANIEl. Then what does the major represent for hawthorne. the devil?

Daniel Anderson:
Samantha, what about the fact that the old man won't let him go. or at least not yet. is going with the flow the only way to go in this instance. Perhaps this tyoe of resignation accounts for some of the ambiguity in the story

Brandi Mahon:
what exactly does ambiguity mean ....???

Gilnerto Segura:
not too precise. i.e. a fog of untenable images

Daniel Anderson:
melinda. could it be....Satan. I think that's one way of interpreting the story. Then how does the revolution come off in hawthorne's book?

Morris Pittle:
On a broader basis, the whole tone of the work can be related to the way in which Hawthorne lived, separated, yet highly intuitative to the social situation.

Daniel Anderson:
brandi. ambiguity is the kind of unresolvable tension that we find in lots of things. where it is hard to decide between two or more meanings. Lke the sign in PVW it show change, but it also show how things stay the same.

Consuelo Richardson:
what about his sitting on the church steps to wait for the mob

Brandi Kim Jones:
Morris, could you please explain your respose; I don't quite get it.


Brandi Mahon:
thanks daniel

Tim Decker:
Dear Mr. Pittle:

Exactly how would you say the he had tremendous intuition about his fellow humans, while be somewhat aloof?

Morris Pittle:
Brandi, when you grow up you'll be able to understand the finer point of American literature expressend in a logical way.

Joe Pedroza:
I like Hawthorne's writing in which he messes with you mind and adds a psychological perspective of the character and then leaves you thinking at last to what he might have done.

Gilnerto Segura:
TIM. are they exclusive of each other?

Daniel Anderson:
If Haswthorne as an individual is shadowed in the figure of Robin, what do you think about Robin joinng the crowd at the end. Does this excuse him from some of the elitism that Morriss accuses him of? Or is it just another scam to make himself seem on the side of the mob, in the community, etc. while really he's locked away in some atic. Does one have to be involved in everyday life to be part of the community or can n ewrite oneself a part of it all by onewself

Tim Decker:
I can see the parellels that Daniel is making between Robin's life and Hawthornes.

Consuelo Richardson:
Maybe it could support the devil v/s god, or maybe God is his protector hiding "him" in his portal. (admendent to step thing)


Daniel Anderson:
Morris, of course concepts like logic and finer points may well be constructions made up by groups in order to make a claim to some kind of knowledge that is really protean, floating and determined by each individual ofr by the same communities who would constrcut the original terminology but lack the self-reflexisiveness to appreciate opposing positions.

Gilnerto Segura:
Daaniel. what is the last part of your question with the authr? can hawthorne escape his reputation (morris's view) by perpetuating his writing?

Melinda Baggett:
The Satan idea show that the revolution possibly caused people to go against puritan ideals??

Samantha Smith:
Could it be that this whole traumatic ordeal that robin experiences is some sort of initiation? Is it not only a rite of passage, but a test of strenght or loyalty? This "kind" man may seem to be a friend, but only to see if Robin can take the fact that something near and dear to him